ABOUT | anicavucetic

Erika Kayne. Digital Collage

ANICA VUČETIĆ was born in 1962 in Belgrade, former Yugoslavia, Serbia. She works on video installations and video environments.

EDUCATION:

University of Arts in Belgrade – Faculty of Fine Arts: Graduate Studies – Bachelor of Arts, Painting (1981/’86); Postgraduate Studies – Magister of Arts, Painting (1986/’89).

Selected ONE-MAN SHOWS:

Environments, Mobiles, Installations (1994), Gallery of the Association Of Visual Artists of Serbia, Belgrade, Serbia; Nostalgia (1995), Museum of Contemporary Art - MAC USP Ibirapuera, São Paulo, Brazil; Environmental Works (1999) and Dreams about the Big Wave (2001), Museum Ludwig Forum for International Art, Aachen, Germany; Video installations (2002), Galeria 23 y 10, ICAIC – Instituto Cubano del Arte y la Industria Cinematograficos, Havana, Cuba; Compression (2006) and Flowing In (2009), Belgrade Cultural Centre, Belgrade, Serbia; Reflections (2007), and Inter/Video/Action (2017),Remont Gallery, Belgrade, Serbia; Cut (2008), Art Gallery “Nadežda Petrović”, Čačak, Serbia; A Long Trip (2010), Museum of Contemporary Art of Republic of Srpska, Banja Luka, Bosnia and Herzegowina; Flowing In (2011), Maribor Art Gallery, Maribor, Slovenia; The Big Wave (1997) and The Fall (2013), Exhibition Room of the Museum of Contemporary Art Belgrade, Serbia; A Long Trip (2015), Centre for Contemporary Art of Montenegro, Podgorica; From the other side (2017), DKSG Gallery, Novi Beograd, Serbia; Between Worlds (2019), Gallery Podroom, Belgrade Cultural Centre, Belgrade, Serbia; I Dream of a Revolution (2020), Salon 77, Gallery of Contemporary Fine Arts Niš, Serbia.

Selected GROUP EXHIBITIONS:

Yugoslav Documenta 1987, Collegium Artisticum, Sarajevo, Bosnia and Herzegowina; Einfluss (1998), Temporäre Galerie, Mönchengladbach, Germany; Hanging Around (2000), Kultur Centrum Sittard, Holland; Edible Women (2005), Emmersive New Media, Toronto; Valeurs (2005), Espace Culturel François Mitterrand du Conseil général de la Dordogne, Périgueux, France; Crossroads (2006), Leksands Kulturhaus, Sweden; We Would Like To Present… (2007), Art Museum of Togliatti, Togliatti, Russia; Disclosure/Underlined Memory (2008), Musee d’ Art Moderne, Saint-Etienne, France (Museum of Contemporary Art of Republic of Srpska, Banja Luka; National Gallery, Skoplje, Macedonia; The Museum of Byzantine Culture, Thessaloniki, Greece); Carrefour3 (2009), Nicolas Salmeron Cultural Centre Gallery, Madrid, Spain; Closeness – Contemporary Art Scene of Serbia (2009), TOKI Art Space, Tokyo, Japan; Serbian contemporary art (2010), Eskilstuna konstmuseum, Eskilstuna, Sweden; Remont in Pula (2009) and We are here 2 (2010), Contemporary Art Museum of Istra, Pula, Croatia; Sensing Realities (2015), Galerie B-312 2015; Montréal, Canada; Everyday Scenes (2016), Randers Kunstmuseum, Denmark; ‘80 i ‘90 today – The Rhythm Divine (2019.), Gallery SLU Niš / Oficirski Dom, Serbia; '80 i '90 danas - The Rhythm Divine II (2020.), Belgrade City Museum, Serbia; Time 244’33’’ - IVA.lab (2020), Art Gallery & Podroom Gallery, The Cultural Centre of Belgrade, Serbia; Reflections of our time: Acquisitions of the Museum of Contemporary Art 1993-2019 (2020), Museum of Contemporary Art Belgrade and Gallery-Legacy of Milica Zorić & Rodoljub Čolaković, Serbia.

AWARDS:

- The Prize of the Memorial of Nadežda Petrović and The Prize of the Public, Čačak, Serbia, 2005;

- Grand Prix at The 9th International Biennale of Miniature Art, Gornji Milanovac, Serbia, 2008;

- Politika Award, for the best exhibition in 2008, Serbia,

- The Prize of the Salon in Niš 20/2 in 2016, Serbia.

ANICA VUČETIĆ je rođena 1962. u Beogradu. Diplomirala je (1981./’86.) i magistrirala (1986./’89.) slikarstvo na Fakultetu likovnih umetnosti u Beogradu. Bavi se video instalacijama i ambijentima.

IZBOR SAMOSTALNIH IZLOŽBI: Ambijenti, mobili, instalacije (1994.), Galerija ULUS, Beograd; Nostalgija (1995.), Muzej savremene umetnosti Univerziteta u San Paolu - MAC USP Ibirapuera, San Paolo, Brazil; Snovi o velikom talasu (1999.) i Ambijentalni radovi (2001.), Ludwig Forum za internacionalnu umetnost, Ahen, Nemačka; Video instalacije (2002.), Galeria 23 y 10, ICAIC – Instituto Cubano del Arte y la Industria Cinematograficos, Havana, Kuba; Sažimanje (2006.) i Uviranje (2009.), Likovna galerija Kulturnog centra Beograda; Odslikavanja (2007.) i Inter/Video/Akcija (2017.), Galerija Remont, Beograd; Rez (2008.), Umetnička galerija “Nadežda Petrović”, Čačak, Srbija; Dugo putovanje (2010.), Muzej Savremene umetnosti Republike Srpske, Banja Luka, Republika Srpska, Bosna i Hercegovina; Uviranje (2011.), Umetnostna galerija Maribor, Salon Rotovž, Slovenija; Veliki talas (1997.) i Pad (2013.), Salon Muzeja savremene umetnosti, Beograd; Dugo putovanje (2015.), Centar savremene umjetnosti Crne Gore, Perjanički dom, Podgorica; Sa druge strane (2017.), Galerija Doma kulture Studentski grad, Novi Beograd; Izmedju svetova (2019.), Galerija Podroom, Kulturni centar Beograda ; Revoluciju sanjam (2020.), Salon 77, Galerija savremene likovne umetnosti Niš.

IZBOR GRUPNIH IZLOŽBI: Jugoslovenska dokumenta 1987., Collegium Artisticum, Sarajevo, Bosna i Hercegovina; Einfluss (1998.), Temporäre Galerie, Menhengladbah, Nemačka; Hanging Around (2000.), Kultur Centrum Sittard, Holandija; Edible Women (2005.), Emmersive New Media, Toronto, Canada; Valeurs (2005.), Espace Culturel François Mitterrand du Conseil général de la Dordogne, Périgueux, Francuska; Ukrštanja (2006.), Leksands Kulturhaus, Švedska; We Would Like To Present… (2007.), Art Museum of Togliatti, Togliatti, Rusija; Razotkrivanje/Podvučeno sećanje (2008.), Musee d’ Art Moderne, Saint-Etienne, Francuska (Muzej Savremene umetnosti Republike Srpske, Banja Luka, Republika Srpska, Bosna i Hercegovina; Naciolna Galerija, Skoplje, Makedonija; The Museum of Byzantine Culture, Solun, Grčka); Carrefour 3 (2009.), Nicolas Salmeron Cultural Centre Gallery, Madrid, Spanija; Closeness - Savremena umetnička scena Srbije (2009.), TOKI Art Space, Tokyo, Japan; Srpski savremeni umetnici (2010.), Eskilstuna Konstmuseum, Eskilstuna, Švedska; Remont u Puli (2009.) i TU SMO 2 (2010.), Muzej Savremene umetnosti Istre, Pula, Hrvatska; Sensing Realities (2015.), Galerie B-312, Montréal, Kanada; Everyday Scenes (2016), Randers Kunstmuseum, Danska; ‘80 i ‘90 danas – The Rhythm Divine (2019.), Galerija SLU Niš / Oficirski Dom; '80 i '90 danas - The Rhythm Divine II (2020.) Muzej grada Beograda; Vreme 244’33’’ - IVA.lab (2020), Likovna galerija i Galerija Podroom, Kulturni centar Beograda; Refleksije našeg vremena: Akvizicije Muzeja savremene umetnosti 1993 – 2019 (2020.), Muzej savremene umetnosti Beograd i Legat Milice Zorić i Rodoljuba Čolakovića.

NAGRADE:

- Memorijal Nadežde Petrović u Čačku - Nagrada Memorijala i Nagrada publike (2005.),

- Grand Prix na 9. Medjunarodnom bijenalu umetnosti minijature u Gornjem Milanovcu

(2008.),

- Politikina nagrada (2008.),

- Nagrada Niškog salona (2016.).